The most turbulent flight routes in North America are over Colorado, where the prevailing winds from the west barrel into the high peaks of the Rockies and tumble onto the High Plains below. One morning this fall, on a stubbly brown field in Boulder, a glider pilot named Dan Swenson stared up at the sky and shook his head. A vast, lens-shaped cloud hung above us like an alien mother ship. It stretched from the foothills of the Front Range, in the west, to the Laramie Mountains, in the north, its pale upper reaches darkening to a gunmetal gray along the bottom. “So, what’s with this?” he said. He glanced over at Jordon Griffler, the scraggly young pilot who would tow Swenson’s glider into the sky with his single-prop plane. Griffler shrugged and took a bite of a bagel. “You can ride that all the way to Wyoming,” he said. Swenson shook his head again: “Holy cow!”
非遗专职化的道路才刚刚起步，还有不少问题需要在实践中摸索。在拥抱市场的同时，如何守住非遗最本真的气质？如何避免过度商业化，损耗艺术本身的魅力？怎样建立完善的人才培养体系，让年轻人愿意学、留得住？这些问题没有统一答案，但有一条底线十分明确：先让传承人吃饱饭、有尊严，才谈得上传承与发展。只有演员不用为柴米油盐焦虑，他们才能沉下心钻研技艺；只有这一职业有前景、有希望，年轻人才愿意主动接过传承的接力棒。
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